Senior Disney executives, dismayed by ballooning costs, were in a similar state of mind.Įven Johnny Depp, the linchpin of the series as the swishy swashbuckler Captain Jack Sparrow, knew that the last film, directed by Gore Verbinski (as were the first two), had lost its way. (A crab army that can carry a landlocked ship on its back? Really?) The third installment, “Pirates of the Caribbean: At World’s End,” clocked in at a barnacle-covered 2 hours 49 minutes and was quickly nicknamed “At Wit’s End” by bloggers. Fans of the franchise were in open rebellion over bloated running times and bewildering story lines. ![]() Yet Disney knew it needed to do something bold to make “Pirates” sail again. But his next two films, “Memoirs of a Geisha” and “Nine,” were kicked in the teeth by critics and sputtered at the multiplex. Marshall, a Broadway choreographer and director turned filmmaker, had powered that musical to a best picture Oscar in 2002. LOS ANGELES - When Walt Disney Studios picked Rob Marshall to restart its $3 billion “Pirates of the Caribbean” series, Hollywood did a double take.
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